Saturday, October 19, 2013

The Fundamental Paradox of Femdom Fiction (and Slasher Movies)

So I've been watching a lot of B horror movies preparing for Halloween and I just realized: good horror movies have the same problem as really good femdom fiction.  And the same saving grace.


Consider this movie poster:
(Used without permission, just like a college film class might.  I'm not making a buck off the movie, just making an academic point.)

Usually they put the star of the movie on the poster, like a James Bond movie with Bond front and center.  Who's the star of that movie?  Not the "heros", the innocent kids who will somehow find the strength to rise up and defeat a horrible supernatural evil in the final climax.  No, the poster prominently features the "villain", the horrible evil that is running amok.

Why do people go to franchise horror movies?  To see the "heros" win?  Name one kid that survived a Jason movie.  Their faces are never on the poster.  No, folks go to see the "villain".  They go to see how the villain will get the good guys this time, the cool kills or stalking tactics.

So now to get sexy...  why do we read femdom fiction?  To see the plucky male triumph over the mean, teasing, cruel domme?  Or do we read to see how the female is going to "get" the guy this time?  What cool teasing technique is she going to roll out now?

In all femdom fiction, the guy has to be "trapped" somehow.  Some reason he just can't flip the woman the bird and go off to find a loving, blow-job-giving Stepford wife in another city.  A chastity belt with only one key, blackmail photos, a female-led society, maybe a literal chain holding him down, or maybe he's "trapped" by his own desire to be dominated.  No different than running out of gas next to Crystal Lake or getting locked into a house with a serial killer.  If he suddenly finds extra gas and drives to safety and lives happily ever after, that's a pretty shitty horror movie.   

So this leads to a problem for authors like me.  Who is the "hero" of a femdom story?  If it's the dude, then he should win at the end.  But that dispels the femdom situation, which is a bummer.  If it's the woman, then it's like a movie where we're cheering for Jason Voorhies to kill more innocent campers; it doesn't work because we no longer care about the camper's struggles or pain, and thus the kills don't matter.    

Some femdom fiction deals with this paradox by giving the male character an "original sin".  He's too cocky about sleeping around, he's a jerk to women, or he's done something worth getting punished for in the past.  But then we're supposed to root for him?  No, we're obviously going to root for the woman domme.  But as the majority of femdom readers are males, now we're rooting for more of our fellow innocent campers to get killed again? 

Stories need tension.  Two opposing sides striving in opposition to each other.  If a femdom story begins with all women around the world in supreme, unassailable positions over sniveling, beaten males, where's the tension?  But then if a rag-tag group of mountain men overthrow the gynocracy and return life to normal, that's a bummer again.

So there's a needle's eye to thread.  People read femdom stories for "the monster".  You might as well replace the hockey mask in that poster with a chastity belt for most of the fiction I read.  (Actually, I would go see that movie, about a supernatural chastity belt that terrifies a small town or something.)  But we also have to put in a "good" side, guys who we side with so that when his cock gets teased and he's begging for relief, we feel it too, and we want it to end. 

I try to do that in my CFNM and orgasm denial books, have a non-original sin male opposing a cool villain we kind of want to see defeated but not really.  It's a tough balancing act, but when it's done right (see Cabin in the Woods for an incredibly good horror movie example, and my free "The Sissy Sort" story here for a femdom example, I think), it's a sublime victory.

Your thoughts?  Maybe I'm crazy, and femdom stories are more like rom-coms or something.  I watch those around Valentine's day, so stay tuned.

P. F. Dee

3 comments:

  1. Hmm, well, seeing teenagers getting butchered by crazy serial killers *does* give me a massive erecti--I mean, my, what nice weather we're having!

    @_@;

    Anyway, you make an interesting point, and I agree, it is a tough balancing act. I don't know that I really balance it all that well myself, but I basically just try to write my characters as "normal" people who happen to have magic abilities. Rather than start off with a supervillainess cocktease, I just try to picture how the girl next door, or a wife, or a platonic female friend would suddenly react to having Sex Magic, and see how it goes from there. (Well, ignoring obvious comic book supervillains like Jahi.)

    Even a good number of my non-Sex Magic erotica characters are more or less regular people who just happen to have powers they one day decide to use to spice up their sex lives. And likewise, the guys may be helpless, but I try not to portray them as complete spineless wimps. Even if they are completely powerless in the situation, its rare they just fold instantly. Even if subbing really excites them, I tend to include some kind of mental struggle. In the end, seeing how either party comes to terms is the real "arc" of the story, beyond just whether the guy cums in the end or not.

    So, for me, the conflict usually comes from just the normal sorts of reactions people would probably have to things like Sex Magic or Sex Powers. Curiosity, misgivings, arousal, confusion, resistance, seduction, "proper action" vs desire, etc. Rather than use the typical cartoon BDSM tropes, try to picture how an actual couple would get into BDSM. Or picture how a normal person could very easily get carried away by their powers. You can get a lot of mileage over just simple human interaction and reaction. And I think too many writers, of horror, erotica, and hell, lots of different genres, tend to forget that, or at least fail to capture it. Again, not claiming I capture it all that well, either, but I try to.

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  2. I think your not very far off in direction, but probably off in degree - a femdom tease in a story, even with an 'unwilling' subject and a 'bully' tease, there are options of showing affection and respect, even love, despite the power dynamic.

    Nonetheless yeah - definitely an aspect of screaming "No, don't split up and search the woods - oh goodness you so *deserve* to get creamed!"

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  3. All I know is that femdom stories, even playful ones, got a lot easier to write when I realized "OH! The hero ISN'T supposed win at the end!"

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